Plummeting down a rabbit hole of confusion, longing, regret and grief, I’m Thinking of Ending Things is a film of careening left turns. Be it Kathy going through her sister’s things and cleaning a bathtub soiled by a cat’s corpse, or Del caring for his VFW pal Roger (Jerry Adler), who’s slowly losing his mind, the specter of death—and the memories summoned up by the end of the road—looms large over the proceedings, culminating in a shattering Dennehy speech of irreparable sorrow. The MBC vs TOC live action is scheduled to begin at 3:00 PM on Tuesday, December 1 at the Eden Gardens. Hewing closely to its source material, the film charts Emma Woodhouse’s efforts to find a suitor for her doting companion Harriet Smith (Mia Goth) while struggling with her own blossoming feelings for her sister’s brother-in-law, George Knightley (Johnny Flynn). When her son was only a toddler, … Sudanese refugees Bol (Sope Dirisu) and Rial (Wunmi Mosaku) successfully make it to England, only to discover that they’ve been followed by relentless ghosts, in His House, a complex horrorshow of guilt, grief and regret. Download the TV Guide app for iPhone, iPad and Android! 20,633,231 people follow this. Drenched in silence that expresses the loneliness of its heroine, and speaks volumes about the tacit understanding and compassion shared by women, it’s a sobering study of perseverance in the face of individual, and systemic, oppression. Staged on a massive scale, overflowing with nattily dressed heroes and villains, and set to an unnervingly blaring electronica score by Ludwig Göransson, it’s a temporally wonky spectacular to be experienced rather than lucidly understood. مشاهدينا في كل مكان.. نقدم لكم من خلال شاشة mbc3 مجموعة متميزة من البرامج الهادفة التي تحقق لكم متعة التعلم والتثقيف، وتعطيكم فرصة حقيقية للترفيه والتسلية، وتساعدكم على اكتشاف مهاراتكم، وتطوير قدراتكم، وتنمية إبداعاتكم. At every turn, what Mari discovers is a lack of urgency about, if not outright indifference to, her daughter’s disappearance, even after other bodies are found in the very same area. There may be no more joyous 2020 cinematic scene than the closer of Thomas Vinterberg’s Another Round, a sloshed dramedy about four Copenhagen teachers’ attempts to reinvigorate their moribund lives by testing psychiatrist Finn Skårderud’s theory that humans’ optimal blood alcohol content level is .5%. Aaron Moorhead and Justin Benson are genre filmmakers adept at crafting time-travel stories that double as subtle inquiries into the human condition, and their latest, Synchronic, is their most straightforward and high-profile venture to date. Few directors are as attentive to the rhythms of nature – human and otherwise – as Kelly Reichardt, and the filmmaker’s formidable skill at evoking a sense of place, thought, emotion and motivation is on breathtaking display in First Cow. Willem Dafoe gives a raw, unvarnished performance as a proxy for Abel Ferrara in the writer/director’s Tommaso, the story of an American filmmaker named Tommaso now residing in Rome with his young wife and child. Drinks and hallucinogenic edibles help alleviate the initial awkwardness of this get-together, but the good times are fleeting, thanks to a strange mist emanating from the dark, furious depths of the ocean, which contaminates the area with glowing Lovecraftian foliage and giant, slimy organisms. Diao’s neo-noir follows a gangster named Zhou Zenong (Hu Ge) who, after killing a cop in a criminal enterprise gone awry, partners with a “bathing beauty” prostitute named Lu Aiai (Gwei Lun Mei) in order to reunite with his estranged wife Yang Shujun (Wan Qian), all so she might collect the reward on his head. All three of these characters are suffering in their own distinct ways, due to a combination of loss, loneliness and fear, and Ahn (working from Hannah Bos and Paul Thureen’s precise script) intertwines their plights with few contrivances and a potent measure of empathy, especially once Del and Cody begin developing an unexpected bond. Steve Coogan and Rob Brydon follow the path first traversed by Odysseus in The Trip To Greece, once again engaging in the witty banter and dueling celebrity impressions that have become the hallmark of this Michael Winterbottom-stewarded comedy series. The Channel offers a wide var... See More. Yet greatly enhancing its trip back in time are the many recollections from WWII vets—including marine Hershel “Woody” Williams, who earned the Medal of Honor for singlehandedly taking out a series of enemy pillboxes with his flamethrower—whose commentary about their wartime duty serves as the film’s guiding narration. ... MBC … Each of the director’s images is more ravishing than the next, and their beauty – along with an enveloping soundscape of squeaking beds, sheets blowing in the wind, and rain pattering on crumbling roofs – is enchanting. Anxiety about mortality turns out to be more pronounced than ever, particularly via Coogan’s Ingmar Bergman-esque dream sequence, which is related to dismay over his father’s failing health. The murderous threesome seems to have leapt to life from a painted music box coveted by the couple’s child, thereby casting the proceedings as a symbolic portrait of heartache as a never-ending predator intent on destruction. - Best clips of your favorite … With a stony countenance and dark eyes that mask his interior thoughts, Ahmed is a chilling protagonist in thrall to a rigid ideology that preaches violence against all heretics. In the hope of rekindling old relationships, acclaimed author Alice Hughes (Meryl Streep) invites her college friends Roberta (Candice Bergen) and Susan (Dianne Wiest) on a Queen Mary 2 cruise to England to receive a literary prize. Nicolas Cage and H.P. “Handsome, clever and rich” is how Emma’s tagline describes its matchmaking heroine (Anya Taylor-Joy), but it’s also an apt summation of director Autumn de Wilde’s Jane Austen adaptation, which is energized by meticulous style, spirited wit and passionate emotions. A sweeping story about a self-made man who transforms himself into an empty vessel, it’s a caustic critique of the sorts of annihilating ideologies that run far too rampant today. Cast in funereal grays and blacks, and aided by lead performances that do much with minimal gestures, it’s a nightmare – about the fleeting nature of life, the finality of death, and the unspeakable evil that lurks in the shadows – that’s soaked to the rotten bone with misery and terror. • 7 days schedule for MBC2 & MAX movies. Bill and Turner Ross’ unique documentary-fiction hybrid depicts the end of the road for The Roaring 20s, a dive bar on the outskirts of the Las Vegas strip where a motley collection of boozehounds come for one final closing-night round of intoxicated camaraderie and revelry. Ruben is a recovering junkie whose quest to regain his auditory senses is its own form of addiction, and Ahmed embodies him with equal parts ferociousness and anguish. Romanian director Corneliu Porumboiu once again melds his interests in language and genre filmmaking with The Whistlers, a neo-noir about a police officer named Cristi (Vlad Ivanov) who travels to the Canary Island of La Gomera to learn an ancient whistling language that doesn’t sound anything like a human form of communication. Taking the form of a black-and-white film from the 1940s, Fincher’s inside-baseball character study scrutinizes the marriage of movies and politics, and the push-pull between self-destruction and creativity, through the lens of Mank (Gary Oldman), whose story flip-flops between his time in a ranch house writing Orson Welles’ (Tom Burke) masterpiece and his prior relationships with William Randolph Hearst (Charles Dance) – the inspiration for Kane – and the mogul’s mistress, actress Marion Davies (Amanda Seyfried). Stranger still is the 1950s-style UFO zooming around the sky – perhaps a hallucination invoked by the psychotropic drugs the townsfolk have ingested? Ariel, the fun-loving and mischievous mermaid, lives in an underwater paradise with her father King Triton, and is enchanted with life above the sea…even more so after saving a handsome prince from drowning! With everyone locked inside, now is an ideal time to catch up on the best movies of 2020. David Cronenberg’s writer/director son Brandon proves himself a chip off the old body-horror block with Possessor, a twisted sci-fi thriller about a near future in which assassin Tasya Vos (Andrea Riseborough) carries out her hits by hooking herself up to a face-hugger-style machine and “entering” another person’s mind and body, whom she then manipulates like a puppet. There may be no more suspenseful moment in cinema this year than the sight of David running after Soon-ja – nor one more affecting. With modern economic and social dynamics as its narrative backdrop, Zhao’s film locates beauty, fear, danger and quiet euphoria in Fern’s wandering search for contentment, which proves that being alone and being lonely aren’t always the same thing. Now you can follow MBC3 anywhere, anytime to watch all your favorite episodes, best clips and play more than 200 games through one application. 20,404,979 people like this. Determined to document her father’s decline, Johnson charts her time by her father’s side while simultaneously, and crazily, staging fanciful fictional scenarios involving his death—from getting hit on the head by a falling air conditioner, to being accidentally stabbed by a construction worker—as well as sequences of him reveling in a glittery heaven full of dancers wearing cardboard cut-outs of his, and his wife’s, younger visages. Kiyoshi Kurosawa conjures an atmosphere of humorous dislocation and acute fear with To the Ends of the Earth, the story of a travel TV show host named Yoko (Atsuko Maeda) who’s on assignment with her all-male crew in Uzbekistan. Plus find clips, previews, photos and exclusive online features on NBC.com. There’s no filmmaker working today more adept at generating scares via the sudden appearance of shadowy background figures, or at prolonging sequences to their nerve-wracking breaking point. There, the husband and wife are preyed upon by a creepy trio—bowler hat-wearing dandy Mog (Peter Belli), unkempt Cherry (Brandy Litmanen) and giant Sampo (Morad Baloo Khatchadorian)—in an endless Groundhog Day-style time loop that always concludes with their deaths. Ree reveals such connections through subtle juxtapositions that emerge naturally from his subjects’ day-to-day travails, which eventually involve financial hardships and a near-fatal car crash for Nordland. Marinelli’s performance is similarly fraught, his gargantuan presence as entrancing as it is intimidating. - … The film’s gimmick is that said drinking establishment is actually located in New Orleans, and its patrons have been cast to play improvised versions of themselves—a formal approach that allows the directors to faithfully capture the entire spectrum of sloppy, joyful, self-pitying, antagonistic and regretful emotions that invariably materialize in (and define) such a joint. Adapting his own stage play with puzzle-box formal rigorousness, Zeller situates his action in Anthony’s flat, where he’s visited by a collection of individuals whose identities – and circumstances – seem to change on a whim, be it his daughter Anne (Olivia Colman), a woman who might also be Anne (Olivia Williams), two men who are apparently Anne’s husband (Mark Gatiss and Rufus Sewell), and a new nursing aid (Imogen Poots) who closely resembles Anthony’s younger (and possibly dead?) Writer/director Bryan Bertino once again takes a simple premise and maximizes it for unbearable tension, drawing out white-knuckle suspense from Louise and Michael’s efforts to grapple with tragedy (and impending loss) while simultaneously reckoning with unholy forces beyond their comprehension or control. Nick Schager is a NYC-area film critic and culture writer with twenty years of professional experience writing about all the movies you love, and countless others that you don’t. Putting a poignant face on a contentious social topic, Never Rarely Sometimes Always tells the story of pregnant Pennsylvania 17-year-old Autumn (Sidney Flanigan), who with her loyal cousin Skylar (Talia Ryder) by her side, travels to New York to procure an abortion. Dynamic, unique and altogether triumphant, these are our selections for the best movies of 2020. Good luck making coherent heads or tails of the film’s convoluted story about a CIA agent known only as the Protagonist (John David Washington) who teams with a shadowy colleague (Robert Pattinson) to discover the origins of bullets that, thanks to entropic “inversion,” can travel back in time. MBC’s Shahid is now available on all mainstream smart TV brands and connected streaming devices, the streaming platform has announced. That Buñuelian device speaks to the masculine and feminine sides of both characters, whose ups and downs together and apart form the basis of Boaz Yakin’s (Remember the Titans) unconventional semi-autobiographical tale. Thrillingly grand and revealingly intimate, it paints a timely portrait of the heroism, and sacrifices, required to uphold democracy. At the head of that impressive pack (which also includes Bill Nighy) is Taylor-Joy, whose Emma exudes just the right amount of playful cockiness and ambition – qualities ultimately undercut by her realization that no amount of manipulations can change what the heart wants. Ryan’s powerhouse performance as the fiercely determined Mari is the nucleus of this dispiritingly bleak tale, in which there are few concrete answers to be found, but plenty of blame to pass around. • Watch List: add any movie to watch list and set a reminder. An opening scene in which Yoko fails to catch a mythical big fish in Aydar Lake – and then has her femininity blamed for this letdown – serves as a gentle metaphor for her ensuing search for purpose, freedom and confidence to face a strange world that seems intent on menacing her, be it police officers whose questions and demands she doesn’t understand, or an amusement park ride that spins her into near oblivion. Those sequences, as well as a disaster-wracked finale, also capture her gnawing anxiety about finding her way – an issue that also pertains to her dream of becoming a singer, which manifests itself in two separate fantasy sequences that prove highlights of Kurosawa’s idiosyncratic latest. Kurosawa repeatedly frames Yoko amidst enormous, enveloping crowds, the better to suggest her feelings of isolation and confusion. In a 1945 Leningrad still recovering from the end of WWII, lanky Iya (Viktoria Miroshnichenko), aka “Beanpole,” works as a nurse even though her military service has left her with a condition in which she becomes temporarily frozen. Home is where the Devil is in The Dark and the Wicked, as siblings Louise (Marin Ireland) and Michael (Michael Abbot Jr.) discover upon returning to their parents’ rural farm to tend to their ailing bed-ridden father (Michael Zagst) and distraught mother (Julie Oliver-Touchstone). One of five features included in 12 Years a Slave director Steve McQueen’s “Small Axe” compilation, Mangrove dramatizes the real-life story of the Mangrove Nine, a group of Black British West Indians from Notting Hill who were charged with inciting a riot after they marched in protest against police harassment and brutality – all of it centered around Frank Crichlow’s (Shaun Parkes) The Mangrove restaurant. Subdued and melancholy, Jack’s journey is a familiar one, and yet O’Conner and Affleck – the latter turning in an expertly modulated, interior turn – shrewdly locate their protagonist’s alcoholism as the self-destructive byproduct of regret, resentment, fury and hopelessness. Mohun Bagan A.C (MBC) and Town Club (TOC) are slated to feature in Match 16 of the Bengal T20 Challenge, 2020. Sneaking swigs of booze, of course, has a predictable downside, and Vinterberg’s film (co-written by Tobias Lindholm) charts his protagonists’ revitalizing high and inevitable crash with compassionate attention to the malaise of middle age and the temporary bliss that comes from getting good and blitzed. Framing characters amidst forest greenery or through constricting cabin windows, and setting its action to the serene sounds of its rural environment – snapping twigs, chirping birds, running water, human breath – it’s an empathetic vision of profound male friendship and perilous capitalist enterprise. Czech artist Barbora Kysilkova responded to the theft of two prized paintings by befriending Karl-Bertil Nordland, the drugged-out gangster behind the crime. Those truly escalate once Buckley and Plemons’ protagonists have dinner with Jake’s crazy mom (Toni Collette) and dad (David Thewlis), and then forge onward into a snowy night where an encounter with ice cream shop girls and a trip to Jake’s old high school—and a meeting with a mysterious janitor (Guy Boyd)—further mark the proceedings as a journey into the subconscious. That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end. This was, in many respects, a year to forget—but not so when it came to film. In his final screen performance, Boseman matches his co-headliner’s intensity, his Levee so full of vibrant, self-destructive fury, desire and life that it’s a tragedy the performance stands as the late actor’s swan song. MBC2 is the first 24-hour free-to-air movie channel in the Arab World. On its surface, Nomadland is a simple story about a middle-aged woman named Fern (Frances McDormand) who, after losing her husband (to disease) and her home (to the closing of a plant and the town it supported), embarks on an itinerant life across the American plains. - Watch full episodes of your favorite series and shows. Enjoy the below features in MBC3 application: - Check the application without creating an account. It’s a muted and moving snapshot of men searching for a second wind in reckless fashion, and as Martin, Mikkelsen delivers one of the finest performances of his career, veering between numbness, regret, doubt and—in that astounding climax—liberating release. • Who is watching: Log… A cry for help and a call to arms, it’s nothing short of straight-up horrifying. That domicile is in a constant state of transmutation, as is Maria and the two pigs she finds inside, which she transforms into her de facto children. • Who is watching: Login with Facebook account to see who is watching a movie now … Grief is a monster that you can neither fight nor flee in Swedish director Johannes Nyholm’s Koko-di Koko-da, a surreal nightmare about a married couple (Leif Edlund and Yiva Gallon) that, in the aftermath of their daughter’s unexpected demise, goes on a camping trip in the woods. Throw in nods to Apocalypse Now, The Bridge on the River Kwai and The Treasure of the Sierra Madre, and you have an epic that’s bursting at the seams, occasionally to its overstuffed detriment. 55 Gifts Your Wife Will Actually, Truly Like, 25 Last-Minute Gift Ideas for Everyone, Any Time, Save Time and Unearth a Gift for Him on Amazon, This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. On a Cape Cod getaway, aspiring astrobiologist Emily (liana Liberato) and her going-nowhere boyfriend Randall (Noah Le Gros) wind up sharing accommodations with fiftysomething couple Jane (Maryann Nagel) and Mitch (Jake Weber), friends of Randall’s dad. See a full list of Movies, view rankings and more on TVGuide.com. Keep track of your favorite shows and movies, across all your devices. His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control. Nonetheless, the alternately combative and chummy English pair remain in fine, funny form, and their swan song proves to be their most substantive collaboration since their maiden outing. It’s Young, however, who holds the hothouse material together as the self-actualizing Rose, whose journey mirrors that of the missing girl Jackson is writing about, and who serves as the beating heart of this slyly furious film. Guided by a loose, jazzy, improvisatory spirit, Ferrara’s quasi-autobiographical drama charts its protagonist as he works on a new project, teaches acting classes, attends AA meetings, and spars with his 29-year-old bride Nikki (Cristina Chiriac), whose father issues are at the root of her marriage to a much older man, just as Tommaso’s desire to remain a vital presence in daughter Deedee’s (Anna Ferrara) life stems from his own prior parental failures with his adopted children. MBC 2 is, also airing a new type of filler called “Me and the Cinema”. It was launched in London in 1991 and later moved to its headquarters to Dubai in 2002. Kitty Green’s The Assistant is the first great #MeToo film, a scathing look at the mundane day-to-day ways in which gender-imbalanced abuse and unfairness are built into workplace systems. Programmes mbc 2 Morning program . Directors Jesse Moss and Amanda McBaine’s documentary follows a number of kids as they make their way through Texas’ week-long Boys State program (sponsored by the American Legion), in which hundreds of teenagers are split into two political parties (Federalists and Nationalists) and asked to create a unified platform and elect officials. Driven to first prove the viability of alternate-current electricity, and then to create a revolutionary wireless energy system that will connect humanity – bringing light, power and resources to the dark corners of the globe – Tesla is an alienated soul embodied with mysterious, self-destructive passion by a superb Hawke. Courtesy of a phenomenal Cohen and Bakalova, Borat and Tutar’s sour-to-sweet relationship provides a sturdy backbone for a series of politicized hidden-camera gags in which the foreigners’ unacceptable behavior coaxes real people to expose themselves as bigots and sexists. Esquire participates in various affiliate marketing programs, which means we may get paid commissions on editorially chosen products purchased through our links to retailer sites. Now you can follow MBC3 anywhere, anytime to watch all your favorite episodes, best clips and play more than 200 games through one application. This subterfuge is demanded by Cristi’s gangster bosses, with whom he’s both in league with and tasked with nabbing by his law enforcement chief Magda (Rodica Lazar). Accepting fate, letting go of the past, and defining a new identity are all processes that require help from others, and thus prove deeply painful for Ruben, whose tattooed torso and bleach-blonde hair speak to his gung-ho go-it-alone spirit. Weeks’ scares are assured, and all the better for being intertwined with his protagonists’ complicated refugee circumstances, with Bol eager to fit in and Rial increasingly resentful about her rootless condition. 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UNAM Ced. Prof. 1467928‏